Gouache on Arches watercolor paper. I have been living overseas for 6 years now with my wife. (Originally from the states) We have lived in Seoul, South Korea, Ho Chi Minh City, Vietnam, Tel Aviv, Israel, and in the Summer we will move once again to Kuala Lumpur, Malaysia. So this is a painting is a sort of self-portrait.
Ink on watercolor paper. I am experimenting with different color combinations. I think the distribution of different sized monsters is acceptable, but i am not quite happy with the colors of them. Suggestions are appreciated!
Experimenting today with an oil transfer drawing technique. The red and purple lines are oil drawn/transferred to hot press 140 pound watercolor paper with watercolor applied. The oil resists the watercolor.
A quick group portrait I made to try making a timelapse of the process. The timelapse is posted to my instagram account. This time, I used brown and yellow bister ink on watercolor paper. Normally I paint the monsters themselfves, but now I used negative painting to create them.
I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.
Inspired by the colors of chemical element: Bismuth (with symbol Bi). Watercolor + Ballpoint pen on 140lb Strathmore Vision watercolor paper (Size: 6” x 9”)
The finished piece is 24 x 32 inches on 300lb. hot-pressed watercolor paper ~painted with watercolor and ink. There were a lot of components I wanted to incorporate in this piece. Then, the painting kept "going". It moved of its own accord in places I did not anticipate, and I kept going with it....people that I know/have known intertwined in my mind as I painted the tree branches. Overall, the painting took on so many meanings to me as it matured
I was gifted a pad of Yupo watercolor paper. The color vibrancy is unreal! Definitely a learning curb but the results are so fun. Plus this got me painting again. Working digital is such an easy fall back, but nothing beats a brush to paper.